Solo Press:
The Renegades / T Magazine – The New York Times
A.K. Burns: Julia Stoschek Collection / ARTFORUM
A.K. Burns: Shabby but Thriving / The New Yorker
A.K. Burns Callicoon Fine Arts and New Museum / Frieze
A.K. Burns New Museum/Callicoon Fine Arts / ARTFORUM
A Spectacle of Language: the Referential Movement + Known Unknowns of A.K. Burns’ Fault Lines / AQNB
In Search of a Body: A.K. Burns’ Ode to Endurance / ArtSlant
Critics’ Picks: A.K. Burns at Callicoon Fine Arts / ARTFORUM
Fall Variations: Shows by Women Artists / Shifting Connections
The Lookout: A.K. Burns at Callicoon Fine Arts / Art in America
Unabashed Love / Shifting Conversations
A. K. Burns: Pregnant Patron Penny Pot / C Magazine no.14
A.K. Burns: Pregnant Patron Penny Pot / Art Fag City
A.K. Burns at Callicoon / Art in America
Collaborative Press:
The 25 Works of Art That Define the Contemporary Age / T Magazine – New York Times
Queer Eyes, David Velasco / ARTFORUM
A.K. Burns & A.L. Steiner: Community Action Center, Roberta Smith / The New York Times
Sex Tools: New Queer Narratives as Community Action Cinema / Afterimage, Vol 40 NO.5
A.K. Burns and A.L. Steiner Community Action Center / Springerin
Community Action Center on the Road / ART:21
Jeff Koons and the Crisis of the Sexual Object / ARTINFO
Das hat was von Provin-Posse / TAZ
Risen-Zoff um Porno-Kunst / BILD
Critic’s Pick: A.K. Burns and Katherine Hubbard / ARTFORUM
Free Your Aesthetics / ArtSlant
Group Show Press:
New Triennial Offers Artists the Canvas of Cleveland / The New York Times
When it Comes to Gender, Let Confusion Reign / The New York Times
The Artists Using Gender as a Tool and a Weapon / DAZED
Double or Nothing / Metropolis M No.3
New Order: Interview with ICP Triennial Co-Curator Carol Squiers / Art in America
A Different Kind of Order: The ICP Triennial / Gallerist NY
Critic’s Notebook: Out Of Order / The New Yorker
Critics Picks: You never look at me from the place from which I see you / ARTFORUM
Critics Picks: Skin So Soft / ARTFORUM
Goings on About Town: Art “Skin So Soft” / The New Yorker